Monday, June 1, 2009

KARL MULLEN artist's reception Fri, June 12, 2009 6-9 pm














I'm excited to announce that
KARL MULLEN will be coming to Columbus for the opening of his new show Friday 06/12/09 at LINDSAY GALLERY. We were not sure that this show was going to happen, as Karl has been ill.... but he's feeling better and will show off his new artwork and play some of his music!
There will be large scale works on paper, but this time we will also be showing a large series of small paintings done on letters, book pages, ledgers and envelopes.

The artist's reception is from 6-9 pm, and then Karl Mullen and friends will perform at 9:00.

Monday, March 30, 2009

A new acquistion of some exceptional pieces by LEVENT ISIK.














I just acquired a group of earlier LEVENT ISIK pieces... they date from 2004-2007. Call 614-291-1973 for sizes and prices!



Friday, March 13, 2009

a really nice article by LIZ JAMES on our current show.

GLORIES: VIVIAN PITMAN AT LINDSAY

http://www.lizjamesartscene.blogspot.com/

Wearing elegant, yet simple, Africa-print dresses and matching head wraps, Vivian Pitman and her mother, the artist Barbara Thomas, welcomed guests to their Lindsay Gallery Opening on Friday, February 27. It was a gala evening. Guests and glasses sparkled. Vivian's unique and bright paintings almost jumped off the wall, and so did the more sedate renderings of her mother. All of the small, puppet-like dolls seemed to breathe, even though they are cartoon-ish and stout and dance without strings!

When I asked Pitman what her dolls were made of, she replied, "clay. And anything I need to use and find to use."












Pitman is a self taught artist. She seems to dance, like a break dancer, between colors, words, and "schools" of art. Her liveliness surpasses the terms "primitive" or "authentic." She is unafraid to use bright reds, greens, yellows, purples. She knows how to create textures and surfaces, and she will not reveal her secret: how she uses sand in her creations.

Her composition -- sometimes elementary, sometimes random -- is always effective. Expressive. As in Expressionist! In THE DEATH OF LINCOLN, Pitman, at her most elementary, has depicted the martyred President as resting, his corpse strangely tube-shaped, on bright grass surrounded by a color guard in bright yellow shirts! The crudely painted soldiers are firing a salute, "as they would for a President," Pitman said. An encirclement of creatures that resemble merry go round horses -- or reindeer -- surrounds the scene. And everything dances together. --As I recall, this is a scene in which a grotesque blood red Bird of Death is veering.-- A Pitman may be child-like, but it is rarely, or ever, "cute."

Vivian employs words; most of her paintings include titles or phrases. You'll find an ALPHABET OF SLAVERY: "A is for African, torn from his home. B is the bloodhound to catch all that roam. C is the cotton plant. . ."

One of the small stout three-D puppet-like dolls represents "Eta Moten, singer, actress, hailed as a pioneer for black actresses."--I had to look her up!-- Pitman "saw Moten once in a movie." And many remarkable personages will be seen at this Lindsay show. You will learn much. For example, Virgina Hamilton, who wrote books for young people, is represented.

The slogan,"Only Love Can Drive Out Hate" is visible. So is a heart wrenching Klan Whipping, and a Lynching, and the admonition "KKK. Leave the negro alone!" (in which blood drips from the white man's club!) Gazing at these grotesque depictions we are reminded of the ferocity of anarchist posters that blossomed before and between World War I and II. They said it like it was.


Pitman celebrates history and narrative in a unique way, and she is, indeed, worthy of the title, Griot. History bearer and tale teller. Lincoln, Martin Luther King, yes, and nearly life-sized President Barak Obama, are much in evidence. In one painting the wonderful young President, in profile, wearing a classy green sweater -- I just know it's cashmere -- looks admiringly at a recognizable, if stout, Martin Luther King. They are both happy because Barak Obama has fulfilled The Dream. A wide Stars and Stripes provides a background for the two gifted leaders. In one painting Obama-as-Hero seems to have morphed into Spider Man!

OOOPS! One of Pitman's most outre subjects, unique but not offensive, depicts women sitting at a long table, similar to that in the legendary Last Supper. However,Pitman's "supper" presents, not traditional disciples of Jesus, but women who are squirting breast milk at each other! Pitman said this painting was inspired by Women Who Earn Money by Selling Their Own Milk!

IN OUR TELEPHONE INTERVIEW Pitman revealed that she works part time, is a Christian who loves her church, and that her art career started when she began making ladies hats and selling them. Her mother, Barbara Thomas, a strong yet more conventional artist, has always encouraged Vivian.

About her own art Pitman said, "it's kind of a gift, like a talent for throwing a baseball. You're born with it, but you have to practice. I'm still learning."

She added, "I'm patient and strong, and I can work hard." Pitman likes to listen to jazz and all kinds of music. She is not immune to the power of dreams. And she is wonderfully proud of her sister, the novelist GWANDINE THURMAN who recently published ETHIOPIAN PRINCESS. (see www.kingdomnovels.com.)

Pitman is "engaged" or engagee as the French used to say about socially concerned artists. She was definitely not born with a gold paint brush in her hand. In fact, Duff Lindsay, gallery owner and curator, first discovered Pitman through a contact at The Mid-Ohio Food Bank.

The current exhibition reveals a wide sweep of concerns and subjects, which, like the proverbial maiden in a fairy tale, Vivian Pitman has woven into a mythical assemblage of paintings, dolls, and sculptures.


Click on each image to see a larger version. Then click on the back arrow to return to this blog.

Lindsay Gallery is located at 986 North High in Columbus, Ohio. 614-291-1973. VIVIAN PITMAN will run thru March 21. See photos of the Pitman reception.
posted by Liz James

Saturday, February 7, 2009

IT CAME FROM THE BACK ROOM CONTINUES!

SHOW RUNS THROUGH FEB. 21st.





Open house and gallery talk this SATURDAY, FEB. 14, 3-5pm

Come by on Saturday to meet Kentucky stone carver TIM LEWIS. We're having an open house with refreshments.... at 3:30 Michael Hall from the Columbus Museum of Art will give an informal lecture on Tim's work.... then Tim will take questions. We'll also have copies of the book that accompanies the traveling museum show of Tim's carvings.

Thursday, February 5, 2009

Some great press for "IT CAME FROM THE BACK ROOM"

Artists unleashed
Thursday, February 5, 2009 6:30 AM
Will Shilling photo
Will Shilling photo
Will Shilling photo

What: "It Came From the Back Room!!!"

When: Through Feb. 21

Where: Lindsay Gallery, Short North

Web: lindsaygallery.blogspot.com

Anytime there's an opening at Lindsay Gallery, chances are good that at some point, people decide to congregate among the strange and wonderful stacks of artwork in the back room.

Loaded with pieces by the folk and outsider artists that owner Duff Lindsay represents, estate art and other storage, the space was never set up for public perusal. But the chance to sneak through the open doorway and catch a glimpse of a painting or sculpture before it's whisked off to a private collection or a show in a distant gallery is one that many of his patrons often take.

It makes you feel like you're being let in on a secret.

"Over the years, so many people have said that the back room is their favorite place in the gallery," said Lindsay. "They tell me, 'I feel like you're hiding all the treasures back there.'"

The back room has long been the pulse of Lindsay's business. While there are some Columbus collectors of the art he specializes in, the gallery's success is ultimately national.

Most of the sales that sustain the place are made through the back room's revolving stacks, while the gallery walls are often used to raise the profile of lesser-known artists. A long-standing reputation has earned Lindsay high-profile space at national events, including Folk Fest in Atlanta - one of the world's largest folk art shows.

The current exhibit, It Came From the Back Room!!!, is a rare treat, with a couple hundred paintings by multiple artists literally covering the gallery walls from ceiling to floor.

There are pieces by Ohio luminaries of the genre who have passed, like Elijah Pierce, Popeye Reed and William Hawkins, but also by many of the living artists that Lindsay works with, some of whom are rarely, if ever, shown locally.

One of those artists is San Francisco artist Jane "In Vain" Winkelman, who creates her haunting personal/political paintings while living on the edge of homelessness.

"I never have enough of Jane's work to have a Jane Winkelman show," said Lindsay. "She always lives painting to painting, so when she makes one, she needs to sell it."

The exhibit also reveals the wide variety of work that may fall into the category of folk/outsider art.

Winkelman's work might have an edge, as does the work of Irish artist Karl Mullen, who has many pieces in the show. But there are also the charming, periwinkle-infused childhood scenes of landscapes and circus acts from Newark, Ohio's Janis Price. Born in 1933, Price, whom Lindsay calls "an American memory painter in the Grandma Moses tradition," is also widely known, and has pieces in the Smithsonian.

Local artist Vivian Pittman has two captivating Barack Obama dolls and a couple of paintings of her Cleveland Avenue-area neighborhood in the show. She will have her own exhibit opening at Lindsay Gallery later this month, which will include Biblical paintings and a series of dolls depicting various historical figures in honor of Black History Month.

"People have a perception that they know what all folk and outsider art looks like, but I think a show like this shows that there are a number of styles," says Lindsay. "When someone tells me they don't like this kind of art, I have to imagine they simply haven't seen enough of it."